Posts Tagged ‘Grant Morrison’
Tags: Batman, Bruce Wayne, DC Comics, Dick Grayson, Elliott Serrano, Grant Morrison, Jose Melendez
Tags: Batman & Robin, Comic Books, DC Comics, Elliott Serrano, Frazer Irving, Grant Morrison, Jose Melendez
Tags: Batman, Birds of Prey, Chris Sprouse, Ed Benes, Gail Simone, Grant Morrison, Return of Bruce Wayne
Tags: Agents of Atlas, American Vampire, Avengers, Brightest Day, Cliff Chiang, Doc Savage, Flash, Gabriel Hardman, Geoff Johns, Grant Morrison, J. Michael Straczynski, Jeff Parker, Joe the Barbarian, Rafael Albuquerque, REBELS, Scott Snyder, Sean Murphy, The Brave and the Bold, Tony Bedard
Ironmuskrat does most of the heavy lifting in this Capsule Reviews post while I just pretty much throw in a quick two cents worth in an attempt to get back on the review wagon.
**** : Excellent
*** : Good
** : Fair
* : Poor
Zero : Horseshit
Avengers vs. Atlas #4 (of 4)
I have been really enjoying this mini from Jeff Parker and Gabriel Hardman. Nonstop action and lots of clever dialog from Parker, It was just a good old fashion, fun comic. However, I hate to say it, but the last issue was by far the weakest for me, not to say it wasn’t good, it just wasn’t as fun as the previous books. The big problem was Parker reached the end of the mini series and found himself having to explain just what the hell was going on in last four books. That lead to a lot of talking and not much action, with the brains of the Avengers and Atlas (Giant-Man, Marvel Boy) talking about the nature of the Temporal Virus and how to stop it, with everyone else just standing around looking on. It doesn’t help that our heroes are dealing with alternate time-lines and time travel, all things that don’t lend themselves to quick or easy explanations. I almost wish Parker had not made such an effort to tie the plot lines up and just left things to our imagination. Still, I enjoyed the series overall and I am looking forward the Atlas relaunch next month.
Rating: ** for this issue, **** for the series overall – IM
This issue deals with the aftermath of the Staro invasion and finds Despero being hailed as a hero who stopped Staro. On the other, hand Vril Dox is vilified as the cause of the invasion in the first place. A pretty good issue that is mostly set up for future story lines. Dox has to find a new place to call home due to the fact everyone in that part of the galaxy wants to kill him, Staro finds that he still has allies loyal to him without being mind controlled and Starfire shows up to visit the Vega system and ends up making an amazing discovery. Tony Bedard writes some good moments here. One being where Dox is almost speechless that he isn’t being recognized as the hero he feels he is. And another where we see Starfire’s sadness at what happened to her home world and how much things have changed in Vega system. I guess the only part of the book I didn’t like was Staro’s fate, I sort of had to roll my eyes at that one, but I guess you can’t let a good villain go to waste. Oh! and I know how much you like redheads Jose and there is a very nice cheesecake shot of Starfire in this one from St. Aubin.
Rating: ** – IM
Brave and the Bold #33
I know I criticized JMS on the last issue of B & B for moving away from examining the inner thinking and personal conflicts of the heroes and sticking to a more impersonal storyline. I wanted to see into the minds of our heroes as they struggled to make tough choices about fighting crime and even about their own mortality. Well, all I can say is J. Michael Straczynski hits this one out of the park, he creates a powerful story about fate, love and trying to do the best thing you can to help someone even though you are helpless to really help them in the ways you wish you could. The story seems like a simple one, Zatanna convinces Wonder Woman and Batgirl (Barbara Gordon) to head out on the town for a girls night out. Zatanna has a secret motive for this night on the town however that will affect the life of one of our heroes forever. I won’t spoil the story if you haven’t read it yet, but JMS writes a story that is funny, sexy and terribly sad at the same time. This is by far my favorite Brave and the Bold story by JMS so far. Straczynski does in this issue what he has been excelling so far on his run on the Brave and the Bold, taking heroes and putting them in tough spots and letting the readers follow along as our heroes agonize over life changing decisions. No Jesus Saiz this week, but Cliff Chiang has a somewhat similar style and does a good job bringing this story to life. I don’t know what else to say about this book, it really knocked my socks off.
Rating: **** -IM
Joe the Barbarian #4
Well, we are at the halfway point here on Grant Morrison mini and I can honestly say I am still not sure what is going on… well, that is not entirely true. This issue actually explains pretty much everything that is going on with Joe and the two worlds he finds himself bouncing between. I guess I should say I don’t care about the overall plot right now because I am so fascinated by the world that Morrison has created here and the very cool characters that inhabit it. Sean Murphy does such an amazing job on the art I find myself getting lost in the beauty of his artwork. I think this a case where the fantasy world Joe finds himself swallows the storyline whole and makes it take a backseat to the visuals. I don’t want to sell Morrison short on his storytelling, but right now I find myself appreciating the artwork more than what is going on with Joe’s personal life or the whole forces of good battling a rising evil that threatens the land storyline. I know I will go back and reread the whole series after all eight issues come out and pay more attention to the story. For now I will be content with visions of aerial battles with flying stingrays and a Leonardo Di Vinici flying machine.
Rating: *** – IM
American Vampire #2
I told myself ‘No more vampires!’ I am so tired of them and all the Emo crap that seems to be attached to them these days. Pop culture in the past 20 years have cut the nuts off of the once proud creatures of darkness and turned them into fodder for silly teenager dramas. But I can admit that American Vampire comes out of the gate firing on all cylinders. I like the way Scott Snyder and Stephen King are taking a genre that I thought was played out and breathing new life into it. Vampires are back to being brutal killing machines that not only want to drink your blood, but they want to take your money too while they’re at it. Most of the vampires so far appear to be of European origin and want to forge a business empire in the United States. The star of this book so far is Skinner Sweet, he appears to be the first American born vampire created by accident and is very different from his European counterparts. For one thing they hate each other with a passion and Skinner appears to working against their interests in America. That is not to say he is a hero, Sweet is a murdering, amoral outlaw at heart and his motives for his actions are not clear at this time, but I doubt he is acting out of any kindness in his heart.
Once again the book is split into two parts, that take place about 40 years apart. The first story is written by Scott Snyder. Snyder’s story once again deals with a young actress named Pearl, who finds herself surviving (or not surviving) a feeding frenzy from our European Vamps. She is helped by Skinner Sweet, for reasons that are unknown at this time. The second story is by Stephen King and deals with the early days of Skinner Sweet life as a new created vampire. Scott Snyder again has the better of the two stories this time around, but in King’s defense he is left with mostly the background story of Skinner to write and I get the feeling King’s half of the story will start to get better as he fills in more details of Sweet’s life. Rafael Albuquerque does a very job as the artist on this book, bring the story to life and making the vampires (especially Skinner) savage creatures that jump out at you from the page. I will be certainly be picking this book in the future to see just what that evil little shit Skinner is up to.
Rating: *** -IM
Brightest Day #0
Not a very good start. The Hawkman and Hawkgirl dialogue alone almost killed this issue for me. Maxwell Lord making (almost) everyone on the planet forget about him and what he did? Really? Didn’t DC already do a mind wipe story this decade? And Hawk is now DC’s version of Wolverine?
I did like the Martian Manhunter scene as well as the Jade/Kyle Rayner bit. I am really interested in knowing who wrote what in this issue between Geoff Johns and Peter Tomasi. The art was decent enough.
Rating: ** -J.
Doc Savage #1
How this comic got the “OK” to be published mystifies me. This is the first issue to a new series for a character that most new readers aren’t familiar with so it should be solid right from the get go. At times it felt that the dialog presented on certain pages didn’t really correspond with anything that was going on and it really was just a jumbled, unreadable mess. And what the hell happened to Howard Porter’s art? He is much better than this. I think I’ll just stick with the main First Wave book for now.
Rating: ½* – J.
Now this was a surprise. After not being very impressed with the cliché ridden Flash: Rebirth and not being a very big fan of Francis Manpul’s art I was expecting to completely dislike this book. That did not happen. This issue was a fun read and Manapul’s art suited it very well. Johns does a good job of (re)introducing the supporting characters for this title as well as keeping a good pace to the story. And the 25th century’s version of the Rogues? Did not see that coming and I thought it was pretty cool.
How can this be? I enjoyed a Geoff Johns book? I thought I was supposed to hate him (according to some CCW viewers)?
Rating: *** – J.
Ultimate Comics Avengers #6
For fuck’s sake. After five and half issues of nonstop killing, implied sexual assault and a baby getting thrown out a window Mark Millar expects readers to sympathize with the Red Skull? Yes, apparently the Red Skull just wanted the Cosmic Cube so he could use it to go back into time and make sure Steve Rogers (his daddy) came back home from World War II so he could have a family and a happy childhood.
This has got to be the most ridiculous, lazy ass storytelling I have seen in quite some time. At no point in the entire series did the Skull come off as being conflicted about what he was doing. At no point did the reader want to feel sympathy for this character. But on his death bed he lays out what his true intention was all along and the reader is supposed to just fucking buy it? And then if the reader does sympathize with the Skull and believes “Gee, I guess me wasn’t a bad guy after all” Millar has the Red Wasp shoot him in the head, killing him. “But he just misunderstood this whole time! You didn’t have to kill him, you bitch!“ might think said reader. WTF.
Again, tragedy is being forced into a story to get the reader to empathize (right before smacking them in the face mind you) without any substance or context. The decent (if not at times just painfully boring) art of Carlos Pacheco helps this comic gain a half star.
Rating: 1/2* – J.
Tags: American Vampire, Grant Morrison, Joe the Barbarian, podcast, Stephen King, Vertigo
Hey folks, Elliott here with the second installment of the inaugural CCW*TV audio podcast! In this segment, Jose and I discuss Joe the Barbarian #3 and American Vampire #1. Just click on the following link to listen to the podcast on Archive.org or even download it to listen to on your MP3 player!
Tags: Grant Morrison, Rumor, Wonder Woman
“Wonder Woman remains a really bizarre, untouchable character. She should represent women in the same way Superman represents men.”- Grant Morrison
With all the recent Wonder Woman talk we’ve been having on the CCW Youtube Channel this bit of news is very interesting indeed. For those who have been criticizing that the character has not had an “iconic story” this should hopefully fit the bill nicely and silence the haters once and for all. Only time will tell.
Thanks to CCW viewer ‘CSTATB’ for sending this our way: