Posts Tagged ‘Batwoman’

Hi folks, it’s me again with another shellacking of my opinions from the last couple of weeks or so and of the comics I’ve read and other things. This has ended up being way later than it should have been, I came down with the flu last week and its taken longer than I thought to recover.

RANTS

1. Last week started with the news of the death of John Hicklenton, a ground breaking artist mainly published in 2000ad and Judge Dredd: the Megazine. I guess he wouldn’t be that well known in the USA which is a real pity. He broke through into comics at the age of 19 by drawing a Neil Gaiman “future-shock” story for 2000ad which garnered him the notice of writer Pat Mills who immediately commissioned him to write 2 books for his long running character Nemesis: The Warlock. This was one of the most popular 2000ad characters which had artists of the calibre of Kev O’Neill and Bryan Talbot work on it before Hicklenton which I think shows how stunning his art was for a 19 year old to take over from those masters.

Its hard to understate how much of an impact Hicklenton’s art had, readers either loved or hated it but over the course of a couple of years many more loved than hated the organic sinister subversiveness of his creativity. Imagine if HR Giger (designer of Alien) had drawn comics then you might get a handle on where Hicklenton’s imagination lived, he could draw disturbing characters and visceral action. He passed away 2 weeks ago at the age of 42 from multiple sclerosis. There are some clips of him from the award winning 2008 documentary about him

2. Then as if the week couldn’t get any cheerier I heard of the death of Dick Giordano. He was a lot older than JH but still its disturbing to hear that death of one of the greats. Dick Giordano is most famous I suppose for the innumerable inking jobs he did, especially on Neal Adams work and for many Batman titles over the years. He was also a great pencilled with a beautiful delicate line, I recall only a few years ago he did some fantastic work on Devin Graysons Gotham Knights title.

He was also hugely significant as editor in chief and an executive for DC during a very successful time during the 80’s and early 90’s including encouraging the “British Invasion” of new artists and writers, regenerating the Teen Titans franchise, the Crisis on Infinite Earths, Watchmen, Dark Knight, the beginnings of Vertigo. The only failing you could say perhaps was letting Alan Moore get disenchanted with DC but then Alan Moore always seems to fall out with everyone eventually.

I’ve seen on Marvels June solicits that the Dracula story he did with Roy Thomas is being reissued, I’d recommend that anyone who enjoys a great story and beautiful art pick it up.

3. In comparison to the first two sections the other stuff like who’s artist on what pales into insignificance in the order of things but still we should talk about the normal stuff in our hobby as well as the heavy stuff, its all part of the tapestry of life and the world keeps moving on and its ok to talk about the stuff that’s important to us at the time…speaking of which…

4. No more Batwoman – Three words even more devastating that Wanda’s “No more Mutants”, the news that Greg Rucka has quit all DC’s projects and will be concentrating on his creator owned stuff. This is fine, I’m sure I’ll be checking out Queen and Country and whatever else he has planned but it is somewhat sickening that the single best mainstream comic of the last year is no more. The Rucka/J.H.Williams III Batwoman stories in Detective Comics were pretty damn amazing, great writing, outstanding art, fine colouring, just a complete package.

The proposed Batwoman title which was forecast for this summer could have been great but now we’ll never know as I don’t think a replacement writer would have as sympathetic take on Kate Kane, they’d probably get some hack like Winick to do it. Rucka has been very nice to DC in his announcement about it but I can’t help a nagging feeling that someone in management at DC poured some cold water on a “lesbian title”, I hope that’s not the case. (Editor’s note: It was announced today that J.H. Williams III will be co-writing and drawing the new Batwoman series beginning later this year)

5. No more PhonogramThis interview from Comics Alliance puts some things in a fairly poor perspective in my point of view. The fact that a great series like Phonogram couldn’t sell as much as C list Marvel and DC comics shows how fucked up the comics business is now. The writing was smart, the art was appealing yet it couldn’t sell much more than 4000 copies, that’s just a disgrace, some fucking piece of shit like Rulk can sell 60000 copies yet Phonogram can’t even sell enough to pay the artist electricity bill??? That just shows how fucked up the comics market is now. Maybe if the characters had all worn costumes and punched and stabbed each other to death, maybe that would have made it more appealing to the masses?

The comic had the reputation of being “elitist”, but for me it was one of the most joyous books of the last year and the comics world is all the poorer if it loses books like this. Hands up who needs more Deadpool books?

6. Youtube – For fucks sake, why in hell did they have to change it? Now the comments section is all fucked up and its lost all sense of narrative. And the info section is all over the place, none of the links or options are in as handy places as they used to be, youtube you fucked up, you bastards!

COMICS MINI-REVIEWS

Battlefields #4
I love this comic, Garth Ennis is such a good writer when he’s doing war stories, he can treat the subject seriously yet still leavens it all with the black humour of the ordinary tommies, yanks and fritzies. In it Sergeant Stiles commands a Sherman Firefly and leads his men in search of fearsome King Tiger tank. Its full of set piece action, good characterisation (even for the Germans who are far from the evil cardboard cut out characters as usually portrayed in TV and movie) and excellent art from Carlos Ezquerra. I’d love to see Jose and Elliot review this one actually.

Air Fighters #1 (Moonstone)
From the sublime to the ridiculous as it were. This was half price on dcbs and since I love war books, especially aviation books I figured it would be worth a chance….boy was I wrong. The cover by Tom Grindberg is very nice but after that it goes all kinds of wrong.

It’s a 72 page anthology based on characters from the Golden age of comics and most of the stories are hokey and just plain stupid. I prefer my war stories with a good realistic base and these are fantastical and make little sense. And as for the artwork….I’m not going to name any names because the art is so awful, its embarrassingly bad, some of it looks like a monkey doodled on the page or something. Some of them didn’t even bother to do some simple reference work, one story portrays a kette of Ju87 Stukas doing a combat air patrol complete with twin 37mm cannons when anyone who would have an interest in this book would know that’s ludicrous beyond belief and just shows how little the writer and artist cared about the whole charade.

Solomon Kane: Deaths Black Riders 2 & 3 (Dark Horse)
Ahhhhh back to something good, 2 issues of Robert E Howard’s puritan antihero and his encounter with some evil demons (are there any other kind?) in the black forest of southern Germany. It reads like a modern version of a classic Hammer Horror film or EC comic, I had to switch off the computer and read this in silence so as to give it my full concentration, so I could absorb every eerie word of Scott Allie’s script and drink in every line of Mario Guevara’s atmospheric artwork which draws you completely into the story so much as that you feel that you are in that dank forest surrounded by bloodthirsty demons with just a pistol and a trusty sword to protect you.

Power Girl 9 (DC)
This comic is such a joy to read, Gray and Palmiotti subvert the normal superhero clichés on almost every page and deliver a quality story every time. This issue sees PG up against Satanna and her “gun-toting Animal men and PG gets thwacked around with a big hammer for most of the issue until that other Amanda Conner favourite Terra turns up to save the day. It’s a real pity that Amanda Conner is quitting as this is a title she was born to draw, can’t wait to see what she works on next.

King City #5 (Image)
Another comic I fell in love with instantly, you can’t help but like Brandon Grahams Ameri-manga art style which has hints of Adam Warren but a more looser, expressive style. The story is about Joe and his Cat who steal things to order and the dramas that they get into. The humour in this title is definitely of the black cynical variety but that makes it no less funny. Its also black and white which shows the linework to its best advantage and its bigger than the normal comic book size so it fits more in, it’s a winner on both counts.

JLA #41 (DC)
Jose asked if anyone is reading JLA at the moment, I don’t remember if anyone answered and I couldn’t blame them. I started reading the book at #38 and the Blackest Night issues were horrible, just really awful writing and art, especially the Dr Light vs. Dr Light battle which got into misogynistic areas. I actually enjoyed #41 though, it felt like those old Avengers issues where Cap or Iron Man would put a new team together, of course this is JLA so it was Donna Troy putting the team together. Perhaps I took a liking to it because I loved the New Teen Titans so seeing Dick, Donna, Cyborg and Starfire on the same team again brought back good memories. Even Mark Bagley’s art seemed tighter and less rushed in this issue.

BACK ISSUE BIN

DC Action 1-6 (London Editions Magazines)
This is a title which came out in 1990 from LEM who specialized in DC reprints for the British and Irish market. I had already been reading their Batman and Superman/JLI reprints when they came out with this oversized 68 page magazine with a cardstock cover featuring the classic Wolfman/Perez New Teen Titans, the Grant Morrison Animal Man title and a third strip which changed every 2 issues. In 1-2 was the Creeper, in 3-4 was the history of Paul Kirk and the Manhunters and in 5-6 was the start of the Perez History of the DC Universe.

This book introduced me to the wider DC Universe back when Marvel Comics were by far and away my favourite company. Unfortunately it only lasted 6 issues, the book had production values that have still not been equalled by any American or British comic in my opinion but that was its downfall as at £1.75 ($3.50) an issue in 1990 it was by far the most expensive comic on the newsstands but still it has fond memories for me. If you are ever in the UK you might be able to track it down in some second hand shops or at car boot sales.

BLOG RECOMMENDATIONS

Monster Blog
http://monsterblog.oneroom.org/
This is an old favourite which has loads of scanned Monster comics from the Lee/Kirby pre-Marvel superheroes era including “I was face to face with the Creature from Planet X!” and “Invasion from Outer Space!”, its full of those fun goofy stories from the King!

Here in Duckberg
http://texcap.wordpress.com/
This is a cool little blog focusing on comics mostly but some game stuff as well and it seems to mostly feature stuff I like which is great lol. Its straightforward and informative without being confrontational and controversial like the CCW blog. Blogger Texcap has a friendly open style and a good eye for his layout which is easy on the eye.

Paleofuture
http://www.paleofuture.com/
This blog takes a look at the sci-fi and comics genres predictions of the future, in its own words it’s “a look into the future that never was”. I just love all the retro-future stuff, especially from the 50’s and 60’s when the world was going to be so bright and modern complete with Domed Cities and flying cars…..I want my flying car now dammit!

TV
One of my favourite recent TV shows is Newswipe with Charlie Brooker which was broadcast on BBC2 in February/March. It is a topical news show presented by comedian Charlie Brooker who dissects news organisations and politicians with savage satire, sort of like Stephen Colbert but with less joshing and more vicious wit. There’s also a philosophical side amongst the funny asides, don’t trust the news media, there’s always an agenda, make up your own mind.

Ok, this is really only one email and not multiple emails like the title of the post suggests so sue me. Every week I email IronMuskrat to see what books he bought and whether or not he’d like to do a review for us. Before I even got the chance to email him this week though I found this waiting for me in my inbox. I thought it was entertaining and informative enough that I would make a post out of it (with some minor editorial edits and changes) and share it with all of you. -J.

Subject: Preemptive Strike
From: IM
To: J.

Jose!

Just picked up a few books today and thought I would do a preemptive strike and tell you what I thought about them before you sent me a email.

Doomwar #1 – yeah I know this one is old news, but I really felt the need to go back and get it to fill in all the details that left me scratching my head reading issue two. First of all, since when is a variant cover just the original cover in black and white? JRJR original cover was bad enough in color, but in black and white it is undecipherable. Cover aside, it was a very strong issue that did fill in a lot of details that made reading issue two a lot more enjoyable. Mayberry writes a very strong story, one that you really do need to read from the beginning, I have a feeling the whole series will be like this, this event isn’t one where a casual reader will be able to jump into at any point. The art by Scot Eaton was good, but the inks are very dark throughout the book, almost to the point where I felt I had to put some light on it to see all the details. But overall I agree with you and Elliott, this is the best new series of the year so far.

Detective Comics #863- A very interesting issue, although I feel that in the end , not a very successful one. Both Batman and Batwoman are hunting different killers that appear to be almost identical in behavior and the type of crimes they are committing. Their investigations run parallel to one another and are (again) almost identical in method and how they turn out, although they never meet or appear to connect with each other in any way. I guess that my biggest issue was with the story. Both stories are so similar that it seems a bit redundant to me and since neither Batman and Batwoman ever interact in this book, I don’t really see the point of the two stories being included together. I think Rucka has done a very strong job filling out Batwoman as a strong character and a hero, it seems silly to do a side by side comparison to show just how similar she is in methodology and ability to Batman. This story was pretty good, but in the end I felt a little insulted at the idea that Rucka felt the need to show me just how similar Batwoman is to Batman in such a heavy handed way.

Now the second feature was much better experience for me, I really have been enjoying the Question /Huntress stuff and this issue is no exception. I will avoid any hysterical ‘The Question needs her own book!’ talk. But as a backup feature in Detective Comics it is a joy to read and when Vandal Savage shows up at the end I did get a little surprise and a chill up my spine that I did not get from the main feature.

And there was a Flash preview that I didn’t give a shit about, sorry, never been a big Flash fan.

Fantastic Four #577- I have to give Hickman credit, he is taking his time with this story and doesn’t seem to be giving a shit about losing any attention deficient fanboys who might be incapable of following along for the long haul without a baby being thrown out a window or a woman being abused or killed. I did have a hard time following along with this issue, the learning curve this time around is steep and I will probably be spending a little time on Wikipedia tonight researching some of the stuff that was going on here. My biggest complaint with this story arc so far is I am starting to wonder if this is really a Fantastic Four story? For the most part the FF have been spectators in everything that has happened up to this point. Something happens, the Fantastic Four show to investigate what is happening and they spend the rest of the issue watching events unfold or having things explained to them. The FF just seem to be very passive so far up to this point, not really acting on the events that are unfolding around them. The cliffhanger at this end of this issue was very cool and should spell the end of the Fantastic Four being tourists in this whole story arc and taking a more proactive role in dealing with what is happening on the Earth and on the Moon. Eaglesham’s art is very solid as usual, but I did notice he is drawing the same ‘Reed Richard’ type face on a couple of different characters. No biggie though…

I really like what Hickman is doing here, but I just want to see more from the Fantastic Four other than them standing around looking like tourists.

Blackest Night #8- Shit what can I say about this book? It was a disappointment for sure, but I am still trying to pin down the biggest source of my disappointment. I mean the book is filled with a lot of cool individual moments, John’s is the master of writing WTF moments that make comic fans squeal with glee and Reis’ art is top notch as usual. So why did I feel so disappointed at the end of this event?

1. That’s enough Geoff Johns!

Johns spends way too much time here jerking off the fanboys and not enough time explaining what the fuck is going on, that’s cool up to a point. But John’s is like that person who is trying to give you the best blowjob ever, but they spend way too much time doing a bunch of silly shit that feels good but does nothing to finish the job, in the end you just want to tell them to stop fucking around and just put it in their mouth. Ok, that was a little graphic, but John’s basically spent two issue putting Sinestro out there as a White Lantern to rile up the fanboys, only to unceremoniously dump him when he wanted to move on to other cool moments. You have to ask yourself, why even make Sinestro a White Lantern if it did nothing to move the story along or do anything to resolve the event?

2. Black Hand did what?

Ok, so Black Hand is the anchor for Nekron and when his link is severed Nekron cannot exist on Earth. So why exactly does all of those White Lantern rings start coming out of his mouth when he is brought back to life? Is he now the anchor for the White Entity? I mean even though William Hand is brought back to life, he is still a crazy fucker with a huge hard on for death. This might be something of nitpick, but it goes to my third point.

3. Nothing is resolved or explained.

Nekron is sent back to the corn field but otherwise unharmed or dealt with. Black Hand is still alive, but held by the Indigo tribe. The Anti-Monitor is back, along with a whole bunch of heroes and villains. Barry Allen and Hal Jordan even have a conversation at the end of the book basically saying nothing has been resolved or explained.

You know after almost a year of the Blackest Night event, I would expect a little resolution to everything that has happen. Instead we just get what amounts to a huge reset button, I really thought Johns was going to do something really deep here, exploring the nature of death in the DC universe or the lack of anything resembling a permanent end for characters who die and come back, sometimes multiple times. Instead we get what looks like a cheep stunt for a wholesale resurrection of DC characters who have died over the years, free and clear, with no attempt to explain what happened. Instead of Blackest Night giving some clarity to the DC Universe it has just made things even more confusing and I am pretty sure that was not the original intention.

IronMuskrat

From DC’s The Source:

This past Saturday, the Gay and Lesbian Alliance Against Defamation took a moment to honor writer Greg Rucka and artists J.H. Williams III and Cully Hamner’s work on DETECTIVE COMICS’ Batwoman by naming the book the year’s “Outstanding Comic Book” at their 21st Media Awards, held in New York City.

A description of the awards, from the GLAAD site: “The GLAAD Media Awards elevate and promote fair, accurate and inclusive stories of lesbian, gay, bisexual and transgender (LGBT) issues, people and allies that have increased awareness, understanding and respect for the lives of LGBT people. The GLAAD Media Awards also fund GLAAD’s work to amplify stories of LGBT people and issues that build support for equality.”

I have a feeling that this will be the first of many awards this year for the Greg Rucka and J.H. Williams III run on Detective Comics. Congratulations to everyone who was involved with the production of this title. Other titles up for the award included X-Factor, Buffy the Vampire Slayer, Secret Six, and Madame Xanadu.

J.

GLAAD honors DETECTIVE COMICS as Outstanding Comic Book/The Source

Hey, everyone. As we have just watched another year pass us by, and prepare to enter a brand spanking new one with youthful optimism of what 2010 could possibly bring in terms of the comic book realm, I felt that it was only fitting that I pay homage to my top three books of 2009.

These are the books that I personally felt represented some of the best efforts in writing and artistic composition. Now, hold up here before you boys and gals get all riled up. I just want to say, this is an opinion piece, and thus we will all have different choices as to what our favourite books were for 2009. Comics, after all, are a very personal thing, I venture to say that what we read in some way is a reflection of the kind of person we are. In the same way that the music we listen to represents apart of who we are so do our literary choices, whether they are novels or graphic novels.

All of us find a kinship with either a character or team of characters for what ever reason, but what makes us fall in love with these super clad bad asses is the creative driving force behind them. In most cases this is what makes or breaks a character for us fanboys and girls. I am sure all of us have experienced the tremendous disappointment of picking up a comic based on one of our favourite characters only to find out the writer has totally fucked it up. Or the writing is simply meh, and the art is what’s actually fucked up. Whatever the combination it only spells bad news bears for us comic book fans that have dished out our hard earned money to watch our beloved character ruined in print. We suffer through bad runs and pray that the comic book gods will come and save us from the injustice of bad storytelling. Unfortunately, we are at the mercy of such titans as Marvel and DC; we put our collective faith forward that the right creative team will save the day, as it were. Our patience is tested time after time, but there is usually always a light at the end of the tunnel and eventually the right people take pen to paper and we feel certain jubilation again.

I am not sure if you will find my picks for 2009 to be predictable or surprising at all. So, here they are none the less and not any particular order short and sweet.

The Invincible Iron Man
Written by: Matt Fraction
Art by: Salvador Larroca
Published by: Marvel

I must preface this by saying that I was never a huge Iron Man fan. I have always enjoyed the character, but I truly found affection for the cocky Mr. Stark once Matt Fraction and company took to the helm. The way in which Fraction writes not only Stark’s character but all the supporting characters as well is what got me hooked. There is cohesiveness to the story line that never seemed to be there before, for me, in an Iron Man comic. Fraction gave us, the readers, Tony Stark at his most vulnerable; he gave us strength in characters such as Pepper Potts that we have not seen before. He made us care about Maria Hill, and all this was accomplished by intricate character development on his part and bottom line good story telling. Matt Fraction has turned me into an Iron Man fan, and this is a run that I would recommend to anyone. If you have not been keeping up with the singles, then honestly get the trades when they come out you won’t regret it. Fraction has hit it out of the park on this one.

Invincible
Written by: Robert Kirkman
Pencils by: Corey Walker/Ryan Ottley
Inker: Cliff Rathburn
Colors: FCO Plascenia
Published by: Image

What can I say about Invincible except, thank you Jose for introducing it to me one of the best comics ever!!! Yes you read that right…EVER! This comic came as a recommendation from Jose to me one night, and I took his advice and went out and bought the first trade. After reading it, I promptly went out and bought every other trade that I could until it brought me up to current. Robert Kirkman set out to tell the story of a superhero and he did it in spades. Robert Kirkman is a craftsman of relationships; he knows how to write them, he knows how to create them in his work. I have a fangirl crush on Mark Grayson; sooo would love to have him as my boyfriend. This is how fantastically the comic is written, you actually begin to feel emotional about what happens to them. Kirkman gets you invested in the Invincible universe as it were. Corey Walker was the original artist and co-creator of Invincible but soon gave up the reigns to a young artist named Ryan Ottley. Ryan Ottley can be compared to a highly ranked rookie in the sports world who is given a chance to prove himself and turns out to be a phenomenon of sorts. Not only do you have the pleasure of reading the obvious talent of Kirkman’s words but Ottley’s art is just as breath taking and pivotal to the story telling experience. If you have not been reading Invincible then you really should, once again, pick it up in trades.

If you want to start 2010 off with something that is hot, try Invincible, Kirkman and Ottley, how can you go wrong? I think the only way you could go wrong is if Hollywood got involved and tried to make a movie out of it. I hope they never do because that way my Invincible will forever remain pure.

Detective Comics: Batwoman
Written by: Greg Rucka
Art by: J.H Williams III
Colors: Dave Stewart
Published by: DC

My final fav for 2009 is Detective Comics: Batwoman. I know this book has some of the “heterosexual” fanboys all in a tizzy these days but I fucking love it! Again, I was never a big Detective Comics reader, but when I herd that Greg Rucka and J.H Williams III were going to be working on this title with Batwoman as the head liner, it was a no brainier that I would be buying it. We often hear that male comic book writers are unable to fully grasp the female voice. But Mr. Rucka must be in touch with his feminine side because he speaks for us females beautifully. I love the fact that Batwoman is openly lesbian and it is not portrayed in a raunchy perverted fashion. Batwoman’s sexual preference is simply apart of Kate Kane the character and is integrated maturely into the storyline. Rucka did such an amazing job with Wonder Woman that I am not surprised about the work he is accomplishing in Detective Comics currently. As for the art, well if you are at all familiar with J.H Williams, then I don’t think I can articulate how wonderful it is. If you are not familiar with his work I can only suggest that the next time you’re in your local comic shop pick up a copy of Detective Comics: Batwoman and you’ll see for yourself. This comic is breath taking and superbly written, there is really not much more I can say except it receives high praise all around.

The thing about comics that I love, and have always loved, is the fantasy and the idea of good vs. evil. The inner battle we all fight, the injustices we are exposed to in the real world. These are all themes that play out in the pages of a comic book. As I prepare to move forward in 2010, I do so firmly with comics in hand. I wish all the fanboys and girls out there a very happy new year, keep reading, keep watching CCW, and keep an open mind. It’s the only way to grow.

Cami/Variant Girl

Batwoman Black and White

Sigh. Almost 3 months into this blog and I have yet to link to Newsarama once. Well, I guess that ends today. There is a really good interview with J. H. Williams III over there and after reading this portion I felt the need to share it with you gals and guys:

Nrama: A lot of people have noticed that in your portrayal of Batwoman, you haven’t over-sexualized her the way that some might – and some fans might expect. Not that she isn’t sexy, but I don’t see you doing any cheesecakey-badgirl kind of things. Why’d you decide to do this?

Williams: It’s simple really, it’s because she is a person. Characters should be treated the same as if they were physical people. Otherwise you cheapen them and weaken them and then you can no longer believe in them and then they eventually disappear. All good characters need to have a relative form of believability to them, otherwise you will destroy them and the story you are trying to tell. This also applies when you are being your most fantastical with your characters, in terms of what they are, where they are, what they are doing. I’m not interested in characters that are stereotypes, particularly in the manner in which you are referring, because they are no longer characters. They just become pop images easily digestible for the masses.

Thank goodness there are still professionals like J. H. Williams III left in this industry. We are all better for it.

J.

DRAWING DETECTIVE – A Talk with JH Willams III/Newsarma

Double Boot to the Face

Who: Kate Kane a.k.a Batwoman

Where: Detective Comics #857

Why: In the first three parts of this storyline we have seen Kate Kane rely on her father for intel and support while battling Alice but when the time comes for her to step up, take charge and be the hero on her own Kate proves that she is more than fully capable of doing so. After saving all of Gotham and her father, Kate Kane has earned the title of Batwoman and a place along side the rest of the Bat family.

Add to that the surprise twist ending and Alice is now cemented as the perfect arch nemesis of the Batwoman character. Need more reasons? Be sure to check out my post from earlier this week where I discuss Batwoman a bit more.

J.

CCW Question of the Week

Boot to the Face

Before getting to this week’s question I want to give you guys and gals a little bit of a set up for it. Yesterday friend of the CCW, JohnnyHorror, left the following comment on a post:

Hey, Jose. I was talkn’ to the owner of one of the comic shops I frequent and noticed that the number of “Batwoman in Detective Comics” was kinda light.

When I asked him why, he said because a number of his subscribers didn’t like it. Apparently, they have no problem with the art or story (for the most part) but feel that a Lesbian Superhero is being shoved down their throats for shock value.

I recall you saying it wasn’t selling well in an earlier video. So what is the take from fans over your way???

Which now lead me to this week’s two-part question:

Are you currently buying Detective Comics? If yes, why do you buy it? If no, why aren’t you buying it?

To first answer JohnnyHorror’s question: Yes, overall sales of the title have gone down. But at the store I work at sales are still strong. We have increased our initial orders for each of the first 4 issues featuring Batwoman. Even with our increased orders we will still most likely sell out of the new issue in the next couple of days and will place a reorder on Monday.

As as for the comment that the shop owner Johnny talked to made: I have absolutely no fucking idea how anyone can think that DC “is shoving a lesbian superhero down their throats for shock value.” This to me just sounds like complete ignorance or just outright homophobia coming from fanboys. How is DC shoving Batwoman down their throats? How is it all about shock value? Did fanboys just have enough when in the last issue Kate Kane wore a tuxedo and then…GASP…danced with a woman? Oh, horror of horrors. Greg Rucka has handled the Batwoman character and her story with the utmost respect and dignity and at no point has he gone out of his way to push the fact the Kate Kane is a lesbian into the faces of fanboys.

Now for my answer to this week’s question: Yes, I buy Detective Comics. I buy it because, as a total package, this is what comic books should be. Intelligent writing, beyond beautiful art, a strong willed protagonist with morals, compassion and a sense of duty. These are the qualities of the book I cherish. Now, if fanboys can’t enjoy any of these things for the simple reason the the character is a lesbian then those fanboys have some serious personal issues.

Greg Rucka, J.H. Williams III, Dave Stewart and the rest of the people who work on this book will probably have quite a few awards headed their way next year for I truly believe that Detective Comics will undoubtedly be seen as the best comic book of the year by those who matter.

J.

JohnnyHorror’s You Tube Page

The flu has had me out of commission the last few days, so here’s one of my fave segments from issue #1 of the Comic Culture Warrior You Tube Series.  (SPOILER ALERT!: If you haven’t read Buffy #12 yet, a MAJOR SPOILER is revealed in this segment.)